林晏印

Exhibition Area: 藝術新銳區 All Works

創作理念

1. 消融線界和Waterslides系列:以空間與物件為創作主軸,透過管線呈現對於空間、社會的想像,管線是一個在現實生活中習以為常、隱而不見卻又是運轉機制中重要的存在,藉由一種概念化的方式建構,並將管線直接暴露、清楚化,瓦解原本對自身所處環境的認知,在可見與不可見的模糊曖昧中產生新的想像。

2. Prowling和。REC系列:在旅行中以錄影的方式記錄沿路的風景,保存曾經的在場,並在旅程結束後,隨意地暫停播放中的影片,將其暫停的畫面以繪畫的方式描繪下來。景點到另一景點之間,總是像按下快轉的影片,沿途景色飛快的從眼下溜過,透過錄像動態地呈現移動風景與旅行的時空痕跡,而繪畫則顯現了時間流動中的內在的存有。


3. 視角下的風景:以窗框作為創作的呈現,窗—作為內與外的通道,可以是窺視慾望的隱晦展現,又或是空間與空間之間的連接,也是對外的想望,在此系列中,透過窗/框的遮蔽與顯露,呈現空間與空間、空間與人,隱隱約約的關係。 透過對風景的觀看與詮釋,構思自身身處環境與生活模式下,如何回應在環境、社會、人之間,不同經驗的交疊。

Education

2017年畢業於高雄師範大學美術學系研究所
2018年國立臺北藝術大學 博士班

Solo Exhibition

個展
2017 「日常潛行」個展,新浜碼頭,高雄,台灣
2015 「未定界」個展,KafeTime啡拾光咖啡,高雄,台灣

聯展
2020 春季當代藝術沙龍展,台北收藏交易中心,台北,台灣
2020 ART FUTURE藝術未來2020,富邦國際會議中心,台北,台灣
2019 高雄漾藝術博覽會,駁二藝術特區,高雄,台灣
2018 「空間風景」林晏印歐立婷作品展,木木藝術,台南,台灣
2018 高雄漾藝術博覽會,駁二藝術特區,高雄,台灣
2018 福爾摩沙藝術博覽會,誠品行旅,台北,台灣
2017 高雄漾藝術博覽會,駁二藝術特區,高雄,台灣
2017 「再建構」聯展,東海43號 創意實習中心,台中,台灣
2017 「Art Olympia 2017」Exhibition,東京,日本
2017 「現實與虛幻的空間述說」聯展,好思當代,嘉義,台灣
2016 高雄漾藝術博覽會,駁二藝術特區,高雄,台灣
2016 臺灣美術新貌獎,臺中市港區藝術中心,台中,台灣
2016 「非日常景觀」聯展,展亘藝術中心,高雄,台灣
2015 「抽取式」聯展,國立高雄師範大學,高雄,台灣
2015 「鏡微顯」聯展,新浜碼頭,高雄,台灣
2013 「Ambiguous Being 2013新浜碼頭移地計畫」SPPWorkShop聯展,新浜碼頭,高雄,台灣

獲獎
2017 Art Olympia - Student Category - Finalist Award
2016 臺灣美術新貌獎 入選

Group Exhibition

1. Taking space and objects as the main axis of creation. Through the pipeline to present the imagination of space and society. Pipeline is a familiar, invisible, but important existence in the operation mechanism in real life. It is constructed in a conceptualized way, which directly exposes and clarifies the pipeline, dissolves the original cognition of its own environment, and generates new imagination in the ambiguity between visible and invisible.

2. During the journey, I recorded the scenery along the road by video recording to preserve the past presence. After the journey, I suspended the film randomly, and painted the suspended images down. From one scenic spot to another, it is always like pressing a fast-turning film. Along the way, the scenery slips past the present quickly. Through the video, the spatiotemporal traces of moving scenery and travel are presented dynamically, while the painting shows the internal existence in the flow of time.

3. Taking window frame as the presentation of creation, window -- as the passageway between inside and outside, it can be the hidden display of peeking desire, or the connection between space and space, as well as the external desire. In this series, the hidden relationship between space and space, space and people can be presented through the shielding and exposure of window/frame. Through the view and interpretation of the scenery, I conceive how to respond to the overlapping of different experiences among the environment, society and people.

Awarded

2017 M.F.A., Graduate Institute of Fine Arts at National Kaohsiung Normal
University

Collection

Solo Exhibition
2017 “Prowling Day by Day”, SinPinPier - Absolutely Art Space, Kaohsiung, Taiwan
2015 “Undemarcated Boundary”, Kafetime, Kaohsiung, Taiwan

Associated Exhibition
2020 Contemporary Art Salon Spring 2020, Auction Center Taipei, Taipei, Taiwan
2020 “ART FUTURE 2020”, Taipei International Convention Center, Taipei, Taiwan
2019 “Young Art Kaohsiung”, The Pier-2 Art Center, Kaohsiung, Taiwan
2018 “ View and Scenery”, MUMU Gallery, Tainan, Taiwan
2018 “Young Art Kaohsiung”, The Pier-2 Art Center, Kaohsiung, Taiwan
2018 “ART FORMOSA”, Eslite Hotel, Taipei, Taiwan
2017 “The Spatial Narration Between Reality and Fiction”, Haohaus Chiayi Gallery, Chiayi, Taiwan
2017 “Young Art Kaohsiung”, The Pier-2 Art Center, Kaohsiung, Taiwan
2017 “Art Olympia 2017”, Tokyo, Japan
2016 “Young Art Kaohsiung”, The Pier-2 Art Center, Kaohsiung, Taiwan
2016 “Unusual Spectacle”, Jon Shiuan Art Center, Kaohsiung, Taiwan
2015 “Interfold”, National Kaohsiung Normal University, Kaohsiung, Taiwan
2015 “Micrograph”, SinPinPier - Absolutely Art Space, Kaohsiung, Taiwan

Selected Award
2017 Art Olympia - Student Category - Finalist Award
2016 The 2016 Taiwan Emerging Art Awards

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